It is said that colour composition is one of his most outstanding photographic traits, and upon viewing a handful of his pieces, it doesn’t take long to see that this is indeed, a leading talent of Steve McCurry’s. Having the opportunity to travel to some of the most culturally diverse areas in the world, McCurry has been able to photograph a vast range of people and places. His photographs range from capturing the essence of human struggle, to the sheer joy in the lives of his subjects. The majority of his photographs are candid shots - even the up-close and personal portraits. This enhances the emotional conveyance upon a viewer greatly, as his images are often somewhat confronting - the fact that they are all un-staged brings in that element of raw truth. McCurry is driven in search of photographs that will have a lasting impression on his viewers - something that will not be easily forgotten.
One of McCurry’s most popular and highly renowned photographs was taken and chosen for a June 1985 issue of National Geographic front cover. The piece is a simple portrait titled Afghan Girl.
Although it was a rather random snap, the composition is aesthetically pleasing, and the green and red contrast between the headscarf and the background is striking. McCurry is somewhat known for this photograph; the hauntingly stern, and yet somewhat curious expression of the girl, and her gaze directed straight into the camera with her strikingly bright sea-green eyes, captured many hearts of the western world. The photo even brought attention to the ongoing wars, and dystopia-like environment in Afghanistan.
This is the case with many of McCurry’s images, which I find most stirring. The raw authenticity, and beauty of his photographs opens up a curiosity in those who would not normally find interest in photojournalism - and sometimes, even photography in general. His elaborate use of colour and composition instigates a need to continue with my own basicalphotographic work, as I find his work incredibly inspiring.
Below are some pieces that I find most moving on an emotional level.
Below are some pieces that I find most moving on an emotional level.